Friday, July 4, 2014

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"For me it pales public and media specific external eni pressure relative to the internal pressure or the one with a worn expression, inner necessity, eni I see in the Scriptures," says Josephine Klougart, adding that for her sake, it would be difficult to write literature. - Photo: Lars Aarø / Focus.
After his critically acclaimed debut novel and nominated for the Nordic Council Literature Prize has Josefine Klougart ready with his second novel, "Halls". Through the description of a destructive love affair she examines the man and the woman looks at themselves, each other and the world
The woman and the man are the protagonists of Josefine Klougart new novel. No names or characteristics listed, we will get a harsh realism insight into the couple's destructive sexuality and love relationships. Anonymity helps us to understand that there is something at stake that goes far beyond just the two people's relationship. The book is a kind of study of a typical complexity, among other things, deals with gender mutual exercise of power, eni and very hard to shake off. The same is meeting with Josephine Klougart. She makes at once both a confident and delicate impression. We have come together in a small living eni room like space under the ceiling of Testrup University, where she is a guest lecturer at a course on gender in literature. One topic that is said to be topaktuelt for the 25-year-old writer who has already become a household name on the literary scene in Denmark. When she gets a choice of dining table and sofa arrangement, she chooses the latter, heeled black boots and pulls the feet with the patterned knitted socks up under him. She is intensely present and speak to at length on his literary project while she was with slightly shifty eyes refuse to talk about the controversy that has recently been on her candidacy for the Nordic Council Literature Prize. "It does not interest eni me," she says, adding eni that she has decided to remain silent on the matter. First of all, she would be allowed to be happy and proud of the distinguished nomination of her debut novel, "gradients", and do not take care of the criticism that has been directed eni at the committee eni to set works without the necessary literary gravity. But most of all she will talk about his new novel, "Halls", published on 28 January. eni "It is important to understand that not only is a simple tale of a relationship where the man forces himself with a cynical look at a woman. A woman who for his part is so weak that she can not break out of overgrebets room objektgørelsens violence. This is a much more complex dynamic in which the woman has internalized and even internalized male gaze on her, and when the time when one could distinguish the man's glance at the woman from the woman and vice versa woman's glance at the man from the husband, is long over. It's eni all tangled together, "explains Josephine Klougart eni and says that" Halls "most of all is a book about the gaze: it is to see. Although the outer action is mostly about sex, dominance and submission.
"The gaze, the man's gaze on the woman, but conversely also the woman's look at the man and the two's eyes on themselves and the world. This is what I have been interested in exploring," she says. The novel could just look like a nourishment from 2010 responses to Vita Andersen's "Safety Addicts", eni which appeared in the middle of women's liberation 1970s. but Josephine Klougart claim that she has no gender policy agenda with his novel. However, she can easily see that male-female relationships today are still subject to major challenges, and the relationship between the sexes at. definition is always interesting - even for her as a writer. "It's not going to get around that book, among other things revolve around some specific eni gender thematic issues. Cultural Policy, it is a classic masculine look, the man in the novel throws the woman., There is a clear element of objectified afoot. And essentially that the woman experiencing pleasure in reproducing a stereotype, a cultural seen classical ideal of womanhood: the man as an agent and the woman as the passive object that just subject themselves and let themselves behold and penetrate., it is important to understand that the woman is helps to maintain the stability of power that she gets

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